the improvisor festival

Wally Shoup

 

Wally Shoup is an American jazz alto saxophonist and painter. Based in Seattle, Washington since 1985, Shoup is a mainstay of that city's improvised music scene and has been named one of the 50 most influential musicians in that city's history by the Seattle Metropolitan.

By his own account, Shoup "grew up listening to black music in the South, the blues and jazz and R&B,"  and was "introduced to free jazz in the late '60s… in Atlanta". Although his "voice is definitely influenced by African-American music" he "kind of felt like free jazz was the domain of black musicians." Hearing Britain's Music Improvisation Company, "he simultaneously discovered free improvisation and his calling as a musician. "It wasn't jazz-based," he would say in 2003." They were trying to find some new ways of improvising. I realized that was the kind of music I wanted to know about, and the only way I   could know more about it was by playing it,"

 In 1975 he became an active organizer, deejay, and player of music merging free jazz, free improvisation and noise. After deciding he was ready to play the saxophone as a performer, he formed his first trio in Colorado with Ross Rabin and Keith Gardner, incorporating contact microphones on metal objects to create "noisescapes."[5] He released his first album, Scree-Run Waltz in 1981.[6]

In 1983, he moved to Birmingham, Alabama where he performed with Trans Duo (Davey Williams and
La Donna Smith), wrote for the improvisor magazine and worked with dancer Mary Horn, with whom he toured European in 1985, after which he moved to Seattle. Shortly after arriving in Seattle, Shoup became an early organizer of that city's Improvised Music Festival, which began that year, and which is now the United States' longest-running improvised music festival. Among the groups he performed with there were the New Art Orchestra and Catabatics.  In 2010 he will participate in and help organize the 25th anniversary Seattle Improvised Music Festival.

In 1994 he and cellist Brent Arnold formed Project W, who would eventually open for Sonic Youth in Seattle in 1998. Writing in 1999, Andrew Bartlett described this as "Shoup's most vaunted ensemble… whose debut CD of the same name on the Apraxia label has become the stuff of legend." Bartlett singled out their emphasis on relatively short pieces as unusual for free improvisors. Shoup has done two CDs with Thurston Moore of Sonic Youth Hurricane Floyd (Subliminal, 2000) and Live at Tonic (Leo Records, 2003[7]) with Paul Flaherty and Chris Corsano.[6] He has also made two recordings with Nels Cline of Wilco: Immolation/Immersion (CD, 2005) and Suite: Bittersweet (LP, 2007), both on Strange Attractors Audio House.

Shoup formed the Wally Shoup Trio in 2001 with bassist Reuben Radding and drummer Bob Rees.[6] Speaking of his work in 2003, Shoup said, "I'm not quite as abstract as I used to be. On my new stuff, I'll play motifs and melodies and occasionally even a tune … I see noise as just another element to play with, just another texture or color or detail." More recent projects include Spider Trio (with Jeffery Taylor and Dave Abramson) and the Wally Shoup Quartet (with Gust Burns, Bob Rees and Paul Kikuchi.Among the festivals where Shoup has performed are the Vancouver Jazz Festival (Vancouver, B.C.), Earshot Jazz Festival (Seattle), Le Weekend (Scotland), Birmingham Improvised Music Festival (Birmingham, Alabama), Seattle Improvised Music Festival and Open-Circuit Interact (Belgium).[6] In 2007 he received a City of Seattle Arts grant in to work on improvised music, and in 2009 Seattle Metropolitan Magazine named him one of the 50 most influential musicians in that city's history.

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